Matthew Gregory Lewis (1775-1818) was a writer known to the
literary world solely for one novel, The Monk, which appeared in 1796. This
novel made such a dramatic impression that Lewis is often referred to simply as
“Monk Lewis”.
The fashion for what became known as Gothic horror was born
at the end of the 18th century thanks mainly to the work of Ann
Radcliffe, whose novels included The Mysteries of Udolfo (1797) which was
satirised by Jane Austen in her early novel Northanger Abbey.
Lewis was undoubtedly the most skilful of Radcliffe’s
imitators, although the Monk is very different in tone to her novels. He
incorporated elements of Shakespearean and Jacobean drama, German Romanticism,
folklore, the writings of the Marquis de Sade and Samuel Richardson’s “Clarissa”.
He abandoned all restraint in his violent tale of ambition, murder and incest,
set in a Spanish Monastery.
The protagonist, Ambrosio, struggles to balance monastic
vows with his personal ambitions, giving way to temptation and committing
sexual crimes which he covers up with murder. He falls victim to the
Inquisition and is sentenced to death. He finally makes a pact with the Devil
and ends up being hurled to damnation.
This sensational mixture of the supernatural and the carnal,
so daring in its treatment of sexual fantasy and violence, was, unsurprisingly,
extremely popular when it was published, although it attracted accusations of
obscenity. Lewis was forced to tone it down when the third edition was
published.
The Monk could scarcely be regarded as great literature, but
it was powerfully written and contained powerful insights into criminal
psychology and erotic neurosis. By going so extravagantly over the top with the
carnage and horror, Lewis made it perfectly clear that his novel belonged
firmly in the realms of fantasy.
Monk Lewis earned his place in literary history for his
originality, but he will never be regarded as anything more than an entertainer.
© John Welford
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