Tuesday, 27 October 2020

The original Mad Hatter

 


One of the best-known characters in Lewis Carroll’s “Alice in Wonderland” is the Mad Hatter, with whom Alice takes tea together with his companions the March Hare and the Dormouse.

By the time that Alice in Wonderland was published in 1865 it was well known that people who made hats often fell victim to an illness that displayed early symptoms of what could be termed madness, such as irritability, a lack of patience, difficulty in thinking or concentrating, and changes in movement, which could become coarse or jerky.

These symptoms resulted from long-term mercury poisoning, which was an occupational hazard for hat makers who used a form of mercury to treat felt. When used in an enclosed space, the mercury gave off vapours that were then inhaled. The expression “mad as a hatter” became commonly used in Victorian England and would have been well known to readers of “Alice”.

However, it seems highly likely that Carroll had a real person in mind – not a hatter – as his model for the Mad Hatter character.

This was Theophilus Carter, a well-known furniture dealer who lived near Oxford and, like the Mad Hatter in Tenniel’s illustrations for “Alice”, always wore a top hat.

Carter was renowned for his eccentric ideas and inventions. At the 1851 Great Exhibition in the Crystal Palace built in London’s Hyde Park, he exhibited his ‘alarm clock bed’, a contraption that woke the sleeper by literally throwing him out of bed at a pre-determined time – an idea that, very much later, also occurred to Nick Park, the creator of the stop-motion characters Wallace and Gromit.

Not only would Lewis Carroll (Charles Lutwidge Dodgson) have seen Carter’s invention at the exhibition, he would also have been familiar with the latter’s presence around the streets of Oxford, which was where he lived.

The prevalence of furniture in the Tea Party episode – the table, the writing-desk and the armchair, as well the fascination with time, also point to a strong connection with Theophilus Carter.

© John Welford

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