Anna Sewell was born on 30th March 1820,
at Great Yarmouth, Norfolk ,
the daughter of Isaac, a draper who later became a banker, and Mary, herself a
writer of Sunday School stories and poems. Anna had a brother, Philip, who was
two years her junior. Both her parents were from Norfolk Quaker families.
Soon after Anna’s birth, the family moved to London , although her
father’s business was soon in trouble, leading to further moves. Anna’s
education was firstly at home, given by her mother, and then at a day school
between the ages of twelve and fourteen. While running home from school one day
in the rain, she slipped and fell, injuring both ankles. The treatment she
received was not good, and she never really recovered from the injury,
suffering from permanent lameness that, at times, made it difficult for her to
walk or to stand for long periods. She also suffered from general poor health
for much of the rest of her life, and spent a great deal of time trying various
“cures”, at Brighton and elsewhere.
It was while visiting relatives in Norfolk that she became acquainted with
horses and learned to ride and drive. This gave her a freedom of mobility that
she would not otherwise have had, and she grew to love and respect horses as a
result.
Anna never lived apart from her parents, and became
very close to her mother, working with her in charity ventures and also
assisting her literary efforts as editor and critic. She shared her mother’s
high moral convictions, and, although she had religious doubts at times, she
retained her faith, although she abandoned Quakerism at the age of 18.
However, the driving force of her life (no pun
intended) came to be her campaign against animal cruelty, particularly as
inflicted on many horses by owners who were more concerned about the appearance
of their horses in harness than the animals’ health and comfort.
As she drove the family carriage, particularly in
later life in Norfolk when she took her father to the railway station, she saw
many examples of horses which were forced to hold their heads unnaturally high
by the use of a bearing rein (also known as a check rein). This rein runs from
the bit, over the top of the horse’s head, and attaches to the surcingle or
girth (the strap that runs around the horse’s body, just behind the front
legs). The idea is to prevent the horse from nodding its head and to keep the
neck as vertical as possible, but if the bearing rein is too tight, the horse’s
breathing will be affected, it will be unbalanced, and extra strain will be
placed on the neck and the spine. In Anna Sewell’s day, this was the case with
many horses which, for the sake of fashion, were rendered unfit for work, and
virtually crippled, long before they were ready to retire.
There were other practices that Anna saw as causing
distress to horses, such as the wearing of blinkers, especially at night, the
docking of tails, and the use of whips. She herself never used a whip when
driving, and used voice commands rather than a tight rein.
On reading a
pamphlet by an American writer, Horace Bushnell, on the abuse of animals, she
conceived the idea of writing a story that would illustrate the effect of cruel
practices on horses, seen from the horse’s point of view. This became “Black
Beauty”, her only novel, composed between 1871 and 1877. Her stated aim was “to induce kindness, sympathy, and an
understanding treatment
of horses”.
The slow progress with the writing was largely
caused by her increasing disability. At first she dictated the words to her
mother, and later on she wrote in pencil on slips of paper, which her mother
later transcribed. Eventually the book was published, in 1877, by her mother’s
publisher, under the title: “Black
Beauty: his grooms and companions; the autobiography of a horse ‘Translated from the Original Equine,
by Anna Sewell’”. She was paid 40 pounds for it.
The
story concerns a horse which receives both kindness and abuse during his life,
and witnesses various cruelties inflicted on other horses. These include the
use of bearing reins and whips, poor feeding and overwork. There is also an
adventure story built into the narrative, with Black Beauty saving the life of
his owner at one stage. The story works at several levels, one being as an
allegory of how kindness between humans also has its rewards.
Anna
did not live the see the full success of her book, as she died within five
months of its publication, possibly from hepatitis, on 25th April
1878 at the age of 58. Ironically, the horses that drew her funeral carriage
were fitted with bearing reins until Anna’s mother insisted on their removal.
She was buried in the Quaker burial ground at Lammas, near Norwich in Norfolk.
“Black
Beauty” was not intended to be a children’s book, but that is the market that
ensured its overwhelming success, particularly with girl readers. It is still a
best seller, and has been reckoned as the sixth most popular book in the
English language. There have been several movie versions, the most recent being
in 1994, starring Sean Bean and Alan Cumming. However, the legacy that will
have most pleased its author is that the use of bearing reins and tail docking
have long been abolished in the United Kingdom, although the practices are
still found in some other countries.
©
John Welford
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