George Orwell (real name Eric Blair, 1903-50) never joined
any political party but regarded himself as a man of the left. He fought on the
Republican (i.e. Communist-led) side during the Spanish Civil War that began in 1936, during which
he was nearly killed, but became disillusioned with the political infighting of
the various factions that were arrayed against the Fascists. In particular he
noted how the Stalinists regarded everyone else as an enemy. This experience
led to his writing of Animal Farm as a satirical portrayal of the corruption of
Communist ideals by Stalin and his cronies in the Soviet Union.
Animal Farm was completed in 1944 but not published until
August 1945, having been turned down by four publishers who were concerned that
it was unwise to publish a book that was clearly an attack on one of Britain’s
wartime allies. However, since its publication Animal Farm has been immensely
successful, never out of print, and rightly regarded as a 20th
century classic.
Animal Farm takes the form of a novella of little more than
41,000 words that can therefore be read in a single sitting. Its brevity means
that the characters and incidents make an immediate impact that stays in the
mind. The corruption and hypocrisy that form the main drivers of the plot
therefore strike the reader with considerable force, and that is why the book
has proved to be so effective and memorable.
The setting is Manor Farm, somewhere in England, that has
been badly managed for many years by Mr Jones, who has worked the animals too
hard and kept them short of food, and been drunk most of the time. In the
allegory of the book, Mr Jones represents the Tsarist regime of old Russia.
Old Major, the most senior pig on the farm, calls a meeting
at which he delivers a speech that stirs the animals to action. He gives the
animals a revolutionary song to sing, called “Beasts of England” that promises
a wonderful future with less toil and more food, once “tyrant man” has been
overthrown. Old Major represents Karl Marx, with possibly a bit of Vladimir
Lenin thrown in, and “Beasts of England” (which bears more than a passing
resemblance to Shelley’s revolutionary “Men of England”) can be seen as the
animals’ equivalent of the socialist hymn, the “Internationale”.
When Old Major dies three days later, the revolution takes
place and Mr Jones is driven out. The leaders of the revolt are two younger
pigs, Napoleon and Snowball, who represent Stalin and Trotsky respectively.
They immediately assume leadership of the animals and state the principles by
which the farm, now renamed Animal Farm, will be run in future. These, the
“Seven Commandments”, are written on the side of the barn:
1. Whatever goes upon
two legs is an enemy.
2. Whatever goes upon
four legs, or has wings, is a friend.
3. No animal shall wear
clothes.
4. No animal shall sleep
in a bed.
5. No animal shall drink
alcohol.
6. No animal shall kill
any other animal.
7. All animals are
equal.
This is the pure form of “Animalism” (or Communism) to which
every animal willingly subscribes, at least to start with. As most of the
animals are unable to read, these principles are soon reduced to the mantra
“Four legs good, two legs bad”.
The “common man” is represented by Boxer, a carthorse who
does not have the brains to work things out for himself but is incredibly
hard-working and loyal to Napoleon, whom he trusts to always do the right
thing.
At first things run smoothly, with plenty of food for
everyone, thanks mainly to the hard work of the animals, under Snowball’s
leadership, in bringing in the first harvest. Snowball also attempts to improve
the level of education on the farm by teaching the animals to read and write.
However, the pigs soon become the elite, and extra food
supplies are diverted in their direction. Napoleon trains the pups of the farm
dogs to become his personal guard, or secret police, with the emphasis on
viciousness.
Mr Jones, aided by his farmhands, makes an attempt to retake
the farm (the equivalent of the Russian Civil War in which Tsarist,
anti-Communist and international forces attempted to defeat the Bolsheviks) but
is repulsed at the “Battle of the Cowshed”. After this, he makes no further
attempts to return.
Snowball believes that the farm will prosper if the animals
are able to build a windmill to generate electricity, but Napoleon objects to
the idea. The disagreement between Snowball and Napoleon turns violent and
results in Napoleon setting his attack dogs on Snowball and chasing him off the
farm, just as Stalin had Trotsky exiled from Russia.
Now that his leadership is unquestioned, Napoleon makes some
changes around the farm, including removing all vestiges of democracy, such as
the regular general meetings of the farm animals. Instead, a committee of pigs
will make all the decisions.
Napoleon is now in full favour of building the windmill,
claiming that, all along, it was his idea which Snowball stole. This of course
means that the farm animals will have to work harder still, none more so than the
ever-loyal Boxer.
However, the unfinished windmill is blown down in a storm, at
which Napoleon takes the opportunity to blame the absent Snowball, although the
neighbouring (human) farmers point out that, under Napoleon’s management, the
windmill had been built with too-thin walls.
Napoleon and his mouthpiece Squealer (equivalent to Molotov)
now institute a purge of animals who express any sympathy with Snowball.
Now that the pigs are firmly in control, life is made
increasingly difficult for the other animals. Changes are made to the Seven
Commandments, so that, for example, “No animal shall sleep in a bed” has the
words “with sheets” tacked on to the end, thus justifying the breaking of the
original rule by the pigs, who are now living in Mr Jones’s farmhouse (and
drinking his whisky). The old anthem “Beasts of England” is banned and replaced
by “Comrade Napoleon”, which praises Napoleon to the hilt for all the benefits
he has showered upon the animals, those benefits being explained by statistics
invented by Squealer, who also justifies the luxurious lifestyle that the pigs
are now leading.
A neighbouring farmer, Mr Frederick, attempts to trade with
Napoleon for wood but swindles him, then invades the farm and attacks the
windmill, which is being restored. The “Battle of the Windmill” is won by the
animals, but at great cost. Mr Frederick is clearly the equivalent of Adolf
Hitler, who had at one time entered an alliance with Stalin but then invaded
Russia. There is even a reference to the Holocaust, in that Mr Frederick is
believed to have thrown his own dogs into a furnace.
One of the casualties of the Battle of the Windmill is
Boxer, who is wounded and later collapses when, once again, working to repair
the windmill. Napoleon sends for a van to have Boxer taken to the vet, but one
of the donkeys, who is able to read, notices that the van is labelled “Alfred
Simmonds, Horse Slaughterer and Glue Boiler". The animals are unable to
rescue Boxer, but Napoleon claims that the vet had recently bought the van and
not had time to repaint it. In all events, Boxer is never seen again but the
pigs are suddenly able to afford to buy more whisky.
As time
passes, the pigs under Napoleon disown every one of their previous principles,
to the extent that they now walk on two legs and wear clothes, as well as
having already slept in beds, drunk alcohol, and killed their opponents. The
Seven Commandments are reduced to one, suitably amended, that reads: “All
animals are equal, but some are more equal than others”.
At the
end of “Animal Farm” the pigs invite the neighbouring farmers to a dinner
party, at which the human farmers congratulate the pigs on how well they are
running things, for example by giving the animals as little food as they can
possibly get away with. Napoleon plays poker with Mr Pilkington (who represents
the capitalist west) and both appear to have the Ace of Spades. Somebody is
clearly cheating, but it really doesn’t matter who it is because, as the other
animals peering through the window discover to their horror, it is now impossible
to distinguish pigs from humans as they all look exactly the same.
Orwell’s
book is a brilliant satire not just of Communism under Stalin but of all
dictatorships that pretend to be one thing and turn out to be completely
different. It is therefore a precursor to his “1984” in which hypocrisy,
double-dealing and the abuse of power are projected into the future.
© John
Welford
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